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2024 Issues

2024 Issue #9

  • “Pig House” by Kay Vaindal


  • “For The Pollinators” by A.D. Sui


  • “Drinking Dead Brazilians” by Lia Mulcahy


  • “The Rubberist” by Molly Miles


  • “The Passion of Pope Formosus” by LC von Hessen


  • Everything We Assume is Wrong: an interview with R.L. Summerling, author of Fleshpots


  • The Nature of Alex Garland’s Ex Machina and its Immoral Philosophy of AI by Ben Lockwood


  • Everywhere the Sea is Rising: a review of Dehiscent by Ashley Deng


  • Victim, Villain, Inspiration: The Pitfalls of Disability Archetypes in Genre Fiction by Julia LaFond


  • Rip and Tear: Fragmented Identity and Temporality in Chainsaw Man by Max Kelly


  • Uncanny Environments: a review of Mothtown by Caroline Hardaker


2024 Issue #10

  • “Manywhere, Manyone, Manything” by NM Whitley


  • “Unbirthday Means You Wish Yourself Unborn” by Avra Margariti


  • “Brick City, Stick City, Straw City” by Nika Murphy


  • “Her Eyes in the Dark” by Curtis Hayden Hill


  • “Where Is Your Light, Yvette Jones?” by Victor Forna


  • The Horror on the End of Every Fork by Neal Auch


  • Beyond Dualistic Cyberpunk: a review of You Glow in the Dark by Liliana Colanzi from Zachary Gillan


  • You End Up Becoming Yourself: A Review of Brandon Cronenberg’s Infinity Pool from Josh Pearce


  • In Horror Stories, They Fuck Like Me (A Kink in Five Lessons) by Anonymous


  • Reality Is How Horror Stories Are Born: an interview with Carson Winter, author of The Psychographist


  • A Collapse of Boundaries: a review of I Would Haunt You if I Could by Seán Padraic Birnie from Zachary Gillan


2024 Issue #11

  • “Blue Movies” by Ian Kappos


  • “Waystations Lost” by Andrew Kozma


  • “A History of the Avodion Through Five Artists” by Eric Horwitz


  • “These Are His Memories” by Joe Koch


  • “This Movie Theater Sits on a Leyline” by Maxine Sophia Wolff


  • Art Lives Between the Hard Lines of Perceived Reality: an interview with Indra Das


  • Dario Argento and the Curious Case of Censorship by Viviana de Cecco


  • All That is Solid Melts into Air: a review of How I Killed the Universal Man by Thomas Kendall from Zachary Gillan


  • A Secret Third Thing: a review of Exordia by Seth Dickinson from Jake Casella Brookins


  • A World of Discomfort: a review of A Study in Ugliness & Outras Histórias by H. Pueyo from Zachary Gillan



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